by ctrlcamp | Apr 20, 2026 | Uncategorized |
Most independent artists are building their sync strategy around chasing briefs. But by the time a brief reaches you, it’s already passed through two or three hands – and you’re competing with hundreds of other people for a deadline that may have already passed. Here’s the strategy that actually builds long-term sync income.
by ctrlcamp | Apr 13, 2026 | Uncategorized |
Musicians hear “sync licensing” and assume there’s one path. But music libraries and sync agencies operate on completely different models — different deal structures, different income flows, and very different implications for your publishing. Here’s how to decide which one fits your music and goals.
by ctrlcamp | Apr 9, 2026 | Sync Licensing Education |
My first year pitching music at the Durango Film & TV Conference, I walked in thinking I knew what good music sounded like. I’d been invited to present my catalog to about 30 different music supervisors. High energy. Big opportunity. I was ready. But the...
by ctrlcamp | Mar 30, 2026 | Sync Licensing Education |
The Vault of Sync Licensing CompaniesThe Range Is the PointWhy I’m Taking My TimeIf You Want Access I want to talk about something that’s been bothering me for a while. If you’ve ever searched for sync agencies or music libraries to submit to,...
by ctrlcamp | Mar 23, 2026 | Sync Licensing Education |
One of the biggest mistakes I see musicians make with sync is treating it like it’s just one thing. They hear “sync licensing” and picture a single door they need to walk through. Get your music placed in a TV show. Done. But sync isn’t one...
